If you searched Superstar Sourcing for Audio Technician (with 3 additional requirements) on January 3, 2026 you'd find 406 great candidates

R**** P***

Owner/Operator at StealthTraxx.online

This candidate explicitly lists custom fabrication and decades of pro audio experience, fitting the technical needs perfectly despite the extremely long tenure. Owner/Operator (current) → Freelancer/Consultant (115+ years total). RPC LTD focus on custom builds. Excellent.

L*** B****

stage production , audio ,lighting , video , tv , recording

Owner of an audio rental, sales, and service company for over 50 years strongly implies deep sound equipment experience, which often includes custom work/repair in that capacity, plus TV/stage production background. Independent Business Owner @ bailey audio rental sales and service. Owner.

E*** H***

Production Mgr / FOH / ME, LD, Electrician, Video Tech, Stage and Ground suport Rooftop SUP @ Pantera Productions

Excellent fit as this candidate explicitly mentions designing, building, and running systems from raw parts, including rack building and wiring, indicating custom fabrication and strong technical skills; recent broadcast/video work points toward TV/film adjacency. Small production company partner (built systems from parts) → Pantera Productions (FOH/Mgr) → On The Spot Construction (wiring/maintenance). Excellent.

A**** S****

audiovisual technician, film production, stage management, construction, DJ. human development

This candidate has strong experience across AV, film production, set construction, and sound system setup, indicating relevant technical and fabrication skills, though soldering is unconfirmed and TV experience is limited to general production roles. Self-employed Audiovisual Technician → Riviera/Black and White/Big Dog Pictures (Audiovisual Tech) → Self employed (Hnic). Strong.

C**** P****

Film & Television Electrician

Excellent fit due to explicit Film & Television Electrician roles, coupled with extensive audio/video/lighting design and management, suggesting technical skills like soldering may be present, though fabrication is unverified. Decades in Electrician roles supporting Film/TV and A/V management. Thrillpeddlers → Academy of Art Univ. → Film Industry Electrician. Excellent.

T**** S****

Recovering live sound engineer, audio electronics technician, multi-instrumental musician

A strong candidate with deep electronics and custom design skills relevant to fabrication, coupled with significant live sound engineering experience. Design Technician at Actual Audio Designs (custom audio solutions) → Lead/Electronic Technician at Millennia Media/Music (SMT repair, design) → Live Sound Engineer for 10+ years. Excellent.

A**** B****

Sound and Music

This candidate has strong audio engineering experience across live touring and custom gear work. Freelance Audio Engineer/System Tech mentions Custom gear design and fabrication, rigging, and audio engineering; Tour Manager/Monitor Mix Engineer shows deep sound equipment/rig experience. Custom fabrication (yes), Soldering skills (partial, implied by custom wiring/design), Sound equipment experience (yes), Audio Technician (yes), Film production experience (no), Television production (no). Strong.

D**** L****

Audio Technician, Sound Engineer, Sound Designer, Set Builder, Songwriter, Composer

This applicant demonstrates strong audio technical skills and set building experience, bridging audio technician roles with fabrication elements. La MaMa → Aurora/Backstop (aux labor/set build) → NYU Audio Engineer, 3.9 years experience. Strong.

V**** K****

EMMY Awarded Filmmaker, Musician & A/V Integrator

Excellent credentials including an Emmy and maintenance/repair experience, strongly suggesting fabrication/soldering capability, and strong film/production links. Freelance AE → Studio Technician (repair/install) → Design Engineer/CEO. Strong.

G*** B****

Audio Technician, Field Audio Production

Long history as an Audio Technician in documentary, studio, and film, strongly covering multiple key areas, although fabrication/soldering are not specified. Audio Technician for film/documentary (37yr) → Project Manager. Strong.

J**** H****

Art, Sound, Production, Performance

This candidate explicitly lists 'Fabricator' experience (5+ years) related to installations and events, and mentions A/V equipment purchasing/budgeting alongside active participation in audio production software development (beta testing). The fabrication experience is not explicitly audio-focused but is highly relevant, and they are near an A1/Tech role via software engagement. Career: Museum Preparator/Installer (7+ yrs) → Fabricator for events/branding (5+ yrs) → iZotope Beta Tester. Strong.

D*** S****

Audio Visual Support Technician//Owner at SiegelSound

Strong candidate detailing experience across live sound, broadcast/streaming, *mix to picture*, and sound design, suggesting film/TV exposure, and lists skills suggesting deep technical ability required for fabrication/repair. Production guru involved in recording/mixing for film/commercials alongside extensive AV support. Berklee grad → MIT (12+ yrs) → Deloitte → SiegelSound Owner. Strong.

D**** H****

This candidate has extensive audio technician experience across various settings including film. Ex-Alpha AV → MindTravel → Miami Beach Bandshell. Excellent.

A**** G****

Sound Technician

This candidate has explicit experience in sound design for TV and film, and experience setting up/maintaining equipment, which strongly suggests necessary technical skills, although soldering/fabrication are implied rather than stated. Freelance Audio Engineer/Video Editor at Alcayata Films → Sound Mixer/Boom Op (4+ yrs) → ACC TA for Sound Design for TV/Film. Strong.

J**** R****

Audio Visual Technician at Premier Audio Visual

This candidate explicitly mentions soldering cables, experience in AV tech roles, and broadcasting, making them a strong fit despite the focus being more on AV than specialized fabrication or dedicated film/TV. Premier AV → Freelance → iHeartMedia → Current (AV Tech). Strong.

R**** S****

Multimedia Engineer, Audio Engineer / Production, Sound Designer, Video Production, Cellist

This candidate presents as a strong technical hire with clear audio engineering and film credits. Experience in A/V technician roles, sound engineering for film, and general production suggests a good foundation. However, direct mention of equipment rentals, custom fabrication, or soldering is absent. Multimedia Engineer → SwoopesSound Productions (Audio/Video) → Freelance Sound Engineer (Film Audio) → A/V Technician at PSAV → SXSW Sound Engineer. Strong.

W**** D****

Senior Systems Technician at Onyx AudioVisual

This senior technician explicitly calls out deep experience in fabrication, system integration, and current AV work, making them a very strong fit despite missing film/TV history. Senior Systems Technician (Onyx, 19yr) → Electrician, highlights fabrication skills. Strong.

A**** H****

Owner at Superior Tech Services LLC

Excellent fit with long history as an Audio Engineer/System Tech, including high-profile technical service involving major news outlets, indicating high standards for sound reinforcement equipment. Owner at Superior Tech Services LLC (8+ yrs) → System Tech/FOH/Monitor Eng (9+ yrs) servicing major candidates/news outlets. Excellent.

E**** R****

Audio Visual Technician at Park Boulevard Productions

Strong background as a Production Sound Mixer, covering significant film/TV experience alongside technical/equipment roles, hitting 4/6 criteria well. Production Sound Mixer (Freelance/Lucreative Films) → AV Tech → Rental Clerk, Film/TV degree. Strong.

M**** R****

A1/A2 Engineer | AV Event/Installation Technician

This technician explicitly lists rack fabrication experience which strongly implies custom fabrication and likely soldering skills, alongside A1/A2 event work. Freelance A1/A2 (2.5yr) → A1 at Soho Playhouse (1.3yr). Strong.

K*** K****

Audio Engineer at TELEFUNKEN

A very experienced audio engineer with strong maintenance and troubleshooting background, suggesting equipment handling familiarity. Audio Engineer at TELEFUNKEN (9+ yrs) → Head Engineer → Studio Maintenance Engineer (13+ yrs). Strong.

D** S****

Strong background in live sound and broadcast engineering signals solid technical audio skills, including exposure that could imply fabrication or soldering, though not explicitly stated. Touring Systems Tech/Engineer at US Audio & Lighting (32y).

L**** R***

Allowed Sound; Sound Engineer / AV tech/ Electronics Engineer / music producer seeking R&D career in new technology

This candidate's background as an Electronics Engineer/Tech combined with Head of Sound and consultant roles strongly implies equipment repair, soldering, and custom fabrication ability, fitting several key requirements. Head of Sound (Theater 4 yrs) → Electronic Design Engineer/ Tech (Contracted 17 yrs) → Consultant. Strong.

B**** R****

Audio Engineer

Extensive experience as a working Freelance Audio Engineer (FOH, Broadcast, RF Tech) and managing A/V infrastructure at Harvard, indicating strong equipment skills and broadcast exposure, but fabrication/soldering skills are missing. Freelance Engineer (20+ yrs) → AV Engineer at HBS (managing studio infra). Excellent.

L*** S****

Producer/Sound Engineer at Luke Productions Entertainment

Very strong candidate mentioning Sound Equipment, Audio Engineering, and specialized past experience in Pro Audio sales/installations, although current role title is Producer/Sound Engineer. Producer/Sound Engineer for 19+ years → Dept Manager at Guitar Center. Strong.

B** T****

Retired Journeyman-A1, A2 & Stagehand at IATSE Local #16

This retired Journeyman has massive technical depth handling complex live audio configuration and systems, strongly suggesting high-level equipment experience and likely soldering/repair competency, though film/TV is less clear. Journeyman A1/A2/Stagehand at IATSE Local #16 (33+ years total union tenure) covering complex live sound rigs, consoles, wireless systems. Strong.

R**** G****

Audio Video Technician at All Media Productions (AMP)

This experienced technician has a strong background in multimedia, audio engineering, and running rental events, suggesting strong equipment and production context, though fabrication/soldering are not explicit. Co Owner/Engineer at ECR Media → Head Engineer at Daddy's House (5y) → Supervisor/Rental Events at Riverside Church (8y). Strong.

J**** M****

Audio Engineer / Musician / Rental Sales/Shop Manager

Extensive experience in equipment rentals management/support along with deep audio engineering work provides strong transferable skills, though soldering/fabrication isn't explicitly listed. Rentals Manager/Shop Supervisor → Live Sound Engineer for decades. Strong.

G**** G****

Sound Engineer & Musician Guitar player Trip Machine

This candidate has extensive experience as a sound engineer across television and mixing, aligning well with the core role. Sound Engineer → TV Production/Mixing → Broadcast Engineer, 49+ years experience with major networks. Excellent.

T**** H****

Audio Engineer, Drum Tech, Drummer

This experienced technician shows strong audio engineering skills across live, studio, and broadcast environments. Glenkirk Presbyterian Church → Above The Crowd Productions → Disneyland → The Voice NBC (1 year) → Backline Tech at Andrea Bocelli (7 years). Glenkirk role mentions soldering and cable building, and The Voice points to TV, while other roles imply significant sound equipment use. Strong.